In The Studio
What better way to cruise into a new week than working on projects in the studio. Yesterday was Monday– a studio day, when the EC artists are working on personal visual and performing arts projects.
EC artist Yadira Prado has been with the Enrichment Center for over ten years. She loves music she can dance to, and has been working on this dance project performed to Shakira’s song Ojos Asi for several months. With the help of her backup dancers, EC artists Marlen Hernandez and Jose Salgado, and the EC’s Music History/Performance Teacher Lulu Gamez, Yadira put the dance on video.
Ask ten artists, trained or untrained, for input on a particular medium or technique, and you’ll get ten different suggestions about the right way. The ways may differ slightly or drastically. The artists may be hardcore insistent, defensively indignant, or “whatevs” ambivalent about their way. Get those ten artists together, and they’ll discuss and debate for an hour (which is great).
At the EC, this happened most recently while five of my staff asked me for input as they discussed the right way to apply an acrylic wash. My response was derived from a video I found after a similar conversation about the right way a few years ago.
I was surprised to discover that we each had a different way. Discussion among the six of us revealed that some use water to thin the acrylic. Others use a medium. Some apply the wash very thin. Others apply it rather opaquely. Some use a tone which matches the overall color temperature of the palette being used. Others use a contrasting tone. One prefers a gray. Some cannot abide brush strokes, and others tolerate or even like them. … and… Some don’t use a wash at all.
The truth is that there is no right way. None of these artists is so oblivious that they set themselves up for failure every time they paint. Each of these artists is using a way that works for them. Yes, yes, yes. It is possible that there may be more efficient, productive ways—ways they may not care for or know about. But right now, their way is the right way for them.
As the director, I will eventually be expected to make a decision about the right way for the program. How will the artists on staff mentor the EC artists? Which way will be the right way?
Too lazy to consult the shelves of art books behind me, I turned to the internet. (Send me answers, internet. I need to know the right way to apply an acrylic wash.) But the internet knows that everyone has a different way, and there is no one right way. (Hence, a million results instead of, like, five.) Fortunately, among the million, the internet sent me a video which, in addition to the video above, sort of sums up a few different ways, lending options to the EC artists (and staff) and a sense of legitimacy to my decision.
As usual, the EC’s approach is that art is not about right ways and wrong ways. There is always a way. Be creative. Find the way that works for you, and get to work.
Thank you, internet.
Any artist can have a hard time convincing the public that the prices they set are legitimate. Outsider artists have a more difficult time because of the perception that their art is somehow less valuable, because the artist hasn’t received formal art training. That perception is most dangerous when it’s held, not by the public, but by the artist him/herself. We work hard to squash that perception when we see it in the artists.
(This is where I might normally get up on my soapbox, and vent about the myth of the “real artist” … but I won’t.)
Many of the EC artists have trouble pricing their art, and need some help. When we provide that help, we have simple guidelines.
#1: Numbers have to be real (“Ten hundred million thousand dollars” is… interesting to think about, but pretty unreal). Continue reading
January 2016 may be a new beginning, but it’s business as usual for the EC artists. Our first post for 2016 is the first in a monthly series called IN THE STUDIO. Today’s post is a slideshow of snapshots of EC artists working on new projects.
Robert Garcia is working on a poster for Disney Infinity 3.0. And this is just the sketch!
From snakes to sharks to birds of prey, Oscar Onsurez is drawn to powerful animals. He’s starting 2016 with a new eagle portrait. He doesn’t need a reference photo. He just needs to take off his hat!
Luiz Gomez is starting a new canvas from one of his fantastic sketches. (He’s always sketching!) He’s got his music, Continue reading